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FaneXpo 2009: Day One Recap

“What, do I moderate myself?” – James Kyson Lee Oh, the amusement I get from watching grown adults dress up like characters from their favorite anime/movie/game/etc. Surprisingly, I thought there would...

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REVIEW: POM Wonderful Presents: The Greatest Movie Ever Sold [2011]

“I can’t wait to get me some of that sweet Hollywood ad money” At the end of the day, marketing works. It’s a concise line at the end of the film that perfectly encapsulates all we’ve seen. Whether...

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TIFF12 REVIEW: Room 237 [2013]

“Author intent is only part story in all forms of art” What happens to a film—or any work of art for that matter—when its artist has unleashed it to the world? Does it only exist to be what its creator...

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REVIEW: Warriors of the Discotheque [2012]

“The Now Explosion” Everyone’s aware of Studio 54’s reign as nightclub supreme from 1977-1981: its sex, drugs, and rock n’ roll. But what about the 80s? I’m not saying I should know the “It” club of...

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Stanley Kubrick: The Exhibition preview

TIFF may be known for the film festival that makes up its name’s acronym, but they offer so much more ever since the TIFF Bell Lightbox opened a few years back. Along with an extensive screening...

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REVIEW: A Clockwork Orange [1971]

“No time for the old in-out, love, I’ve just come to read the meter.” It didn’t take long for the theatrical experience to prove essential when watching A Clockwork Orange on the big screen. As Henry...

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REVIEW: The Cook, the Thief, His Wife & Her Lover [1989]

“The naughty bits and the dirty bits are so close together” The above quote pretty much sums up Peter Greenaway‘s The Cook, the Thief, His Wife & Her Lover. High society and criminal filth:...

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REVIEW: Elstree 1976 [2016]

“There wasn’t a lot of certainty as to what it would be” Everybody knows Harrison Ford, Mark Hamill, and Carrie Fisher. When Disney bought Lucasfilm from George Lucas and announced they’d be producing...

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